{"id":855,"date":"2020-11-25T22:58:13","date_gmt":"2020-11-26T06:58:13","guid":{"rendered":"https:\/\/revista-escafandra.com\/?p=855"},"modified":"2022-11-08T19:48:15","modified_gmt":"2022-11-09T03:48:15","slug":"los-lentes-para-cine-digital","status":"publish","type":"post","link":"https:\/\/revista-escafandra.com\/index.php\/2020\/11\/25\/los-lentes-para-cine-digital\/","title":{"rendered":"Los lentes para cine digital"},"content":{"rendered":"\n<p>El cine tradicionalmente proyecta 24 cuadros por segundo. Cada uno de estos cuadros es una fotograf\u00eda independiente. Cada fotograf\u00eda requiere de una c\u00e1mara para ser generada, y las c\u00e1maras utilizan lentes. Este elemento, aparentemente peque\u00f1o e incidental, fue el tema de la charla ofrecida el pasado viernes 20 de noviembre y de t\u00edtulo: \u201cEl desarrollo del formato <em>full frame<\/em> desde su origen hasta las c\u00e1maras de cinematograf\u00eda digital de gama alta\u201d.<\/p>\n\n\n\n<p>La pl\u00e1tica fue ofrecida por la Facultad de Artes de la UABC de manera virtual a trav\u00e9s de una videoconferencia en la plataforma Zoom. Aunque era accesible al p\u00fablico en general, por sus caracter\u00edsticas seguramente estaba dirigida a los estudiantes y acad\u00e9micos de la carrera de medios audiovisuales. Imparti\u00f3 la pl\u00e1tica Alejandro Alcocer, representante de ventas M\u00e9xico y Latinoam\u00e9rica de la empresa fabricante de lentes Carl Zeiss. Este evento fue posible a trav\u00e9s de una colaboraci\u00f3n con la Federaci\u00f3n de escuelas de imagen y sonido de Am\u00e9rica Latina (FEISAL).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/escafandrauabc.files.wordpress.com\/2020\/11\/124183596_10159201234048694_4152790310262527552_o.jpg?w=1024\" alt=\"\" class=\"wp-image-857\"\/><figcaption class=\"wp-element-caption\">Cartel de invitaci\u00f3n al evento.<\/figcaption><\/figure>\n\n\n\n<p>Alejandro Alcocer explic\u00f3 la historia de la empresa Carl Zeiss, fundada en Alemania en 1846, y c\u00f3mo han fabricado lentes fotogr\u00e1ficos y para cine desde hace muchas d\u00e9cadas. Se han utilizado en producciones grandes y famosas, notablemente en <em>Barry Lyndon<\/em> (1975) de Stanley Kubrick, que conten\u00eda escenas iluminadas \u00fanicamente por la luz de algunas velas. Para lograr una cinefotograf\u00eda adecuada para escenas con tan poca luz, el director recurri\u00f3 a un lente de Carl Zeiss que se lo posibilit\u00f3.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/escafandrauabc.files.wordpress.com\/2020\/11\/1rghumtwp587ax3sfoisd-a.jpeg?w=1024\" alt=\"\" class=\"wp-image-861\"\/><figcaption class=\"wp-element-caption\"><em>Barry Lyndon <\/em>(1975) de Stanley Kubrick.<\/figcaption><\/figure>\n\n\n\n<p>La mayor parte de los espectadores de cine desconocen totalmente los lentes con los cuales se filmaron sus pel\u00edculas favoritas. Sin embargo es un elemento fundamental, que determina muchos otros aspectos de alguna producci\u00f3n. De ah\u00ed que una charla sobre el tema resulta bastante especializada, pero apasionante para los interesados en los aspectos t\u00e9cnicos del cine.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/escafandrauabc.files.wordpress.com\/2020\/11\/vlcsnap-2020-11-25-22h41m14s719.png?w=640\" alt=\"\" class=\"wp-image-859\"\/><figcaption class=\"wp-element-caption\">Captura de pantalla de la videoconferencia.<\/figcaption><\/figure>\n\n\n\n<p>De manera clara, y con diapositivas que ilustraron perfectamente sus puntos, Armando Alcocer explic\u00f3 c\u00f3mo las c\u00e1maras de cine, en particular las digitales, han evolucionado a pasos agigantados en unos cuantos a\u00f1os. Actualmente la mayor\u00eda de las pel\u00edculas se filman en digital ya que ha logrado igualar e incluso superar a las c\u00e1maras tradicionales de pel\u00edcula de 35 mm.<\/p>\n\n\n\n<p>Esta fue una excelente charla, esperemos que esta colaboraci\u00f3n entre la UABC y FEISAL logre repetirse para tener m\u00e1s conferencias como esta. Mientras tanto, ustedes pueden verla todav\u00eda a trav\u00e9s del Facebook de la Facultad de Artes.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-facebook wp-block-embed-facebook\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.facebook.com\/FacultadDeArtesUABC\/videos\/1250828491956417\n<\/div><\/figure>\n\n\n\n<p>&#8211;<a href=\"https:\/\/www.instagram.com\/estanoesmicancion\/\">Miguel Lozano<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El cine tradicionalmente proyecta 24 cuadros por segundo. Cada uno de estos cuadros es una<\/p>\n","protected":false},"author":8,"featured_media":12301,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[69,116,164,184],"class_list":["post-855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-resena","tag-cine","tag-facultad-de-artes","tag-mexicali","tag-online"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Los lentes para cine digital - Revista Escafandra<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revista-escafandra.com\/index.php\/2020\/11\/25\/los-lentes-para-cine-digital\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Los lentes para cine digital - Revista Escafandra\" \/>\n<meta property=\"og:description\" content=\"El cine tradicionalmente proyecta 24 cuadros por segundo. 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