{"id":6976,"date":"2021-05-06T12:32:17","date_gmt":"2021-05-06T19:32:17","guid":{"rendered":"https:\/\/revista-escafandra.com\/?p=6976"},"modified":"2021-05-06T12:32:17","modified_gmt":"2021-05-06T19:32:17","slug":"analisis-de-the-girl-with-balloon-de-bansy","status":"publish","type":"post","link":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/","title":{"rendered":"An\u00e1lisis de \u00abThe girl with balloon\u00bb de Banksy"},"content":{"rendered":"\n

En este ensayo analizar\u00e9 esta obra de Banksy. Este artista se caracteriza por intervenir lugares p\u00fablicos sin permiso, y sorpresivamente sus obras aparecen en diferentes partes del mundo. The girl with ballon<\/em> fue vista por primera vez en 2002 y como es un grafiti, el artista la replic\u00f3 en varios lugares, ya que se elabora mediante una plantilla. Basta con colocarla en una pared y pintar los huecos con aerosol.<\/p>\n\n\n\n

Desde la percepci\u00f3n de Heidegger, cualquier obra de arte que represente la verdad, es arte. Desde mi punto de vista, Heidegger considerar\u00eda los grafiti de Banksy como arte, ya que las obras m\u00e1s famosas que tiene abarcan temas de lucha social, de queja ante la represi\u00f3n. Algunas obras son muy literales, pero esto no le ha impedido que alrededor del mundo lo apoyen y se unan a su movimiento. Banksy ha logrado manejar los principios del marketing para generar impacto, como bien lo menciona Cumming: \u201cLa mayor\u00eda de los artistas se han especializado en el comercio, el trabajo duro, profesional y consciente de su potencial negociador\u201d (Cumming, 2005: 17).<\/p>\n\n\n\n

Heidegger cuestionaba hasta qu\u00e9 punto las artesan\u00edas romp\u00edan las barreras del arte y aunque los trabajos de Banksy no sean muy elaborados en cuanto t\u00e9cnica, muestran un rechazo hacia las consecuencias negativas de las pol\u00edticas actuales, en eso estar\u00eda de acuerdo Heidegger. La verdad se encuentra en las luchas sociales, en representar aquello que se tiene que defender o acusar, seg\u00fan Heidegger, solo cuando algunas de estas dos verdades es mostrada en alguna disciplina, se puede considerar a una obra como arte, ya que el arte debe de mostrar la verdad, tiene la responsabilidad de concientizar (Heidegger, 1958: 97).<\/p>\n\n\n\n

El fil\u00f3sofo Walter Benjamin entrar\u00eda en conflicto con sus ideas, ya que est\u00e1 completamente en contra de las obras que son f\u00e1cilmente reproducibles en masa para su venta, ya que, seg\u00fan sus palabras la obra pierde su alma y su autenticidad. Sin embargo, enfoc\u00e1ndonos en los grafiti, el s\u00ed considerar\u00eda la primera producci\u00f3n de Girl with balloon <\/em>como arte, ya que esa es la original, la \u00fanica aut\u00e9ntica, pero a las posteriores reproducciones les quitar\u00eda el valor. Esta idea la expresa de la siguiente forma:<\/p>\n\n\n\n

El concepto de la autenticidad del original est\u00e1 constituido por su aqu\u00ed y ahora; sobre \u00e9stos descansa a su vez la idea de una tradici\u00f3n que habr\u00eda conducido a ese objeto como id\u00e9ntico a s\u00ed mismo hasta el d\u00eda de hoy. <\/p>(Benjamin, 2003: 43)<\/cite><\/blockquote>\n\n\n\n

Para concluir, las ideas de Benjamin ya no son tan v\u00e1lidas en la actualidad, ya que, concuerdo que si una obra se reproduce demasiadas veces, en alg\u00fan punto perder\u00e1 su autenticidad y su valor, pero, hablando del grabado, aunque haya un tiraje de 200 piezas, yo las considerar\u00eda arte, ya que fue un proceso artesanal. Lo cual me hace considerar que, los grafiti hechos con plantilla de Banksy son arte, ya que es un proceso un poco parecido en cuanto a concepto al de producci\u00f3n masa de una obra. Las ideas de Heidegger si las comprendo, pero no son aplicables al pop art, el arte debe de mostrar la realidad para que la procesemos y nos demos cuenta de las condiciones en las que vivimos, pero tambi\u00e9n hay muchas obras de arte que expresan el conflicto del artista y tambi\u00e9n deben ser consideradas como arte. De \u00e9l me quedo con la idea de que se tiene que representar la verdad, pero a la verdad como una variable, la cu\u00e1l puede ser representada en temas diferentes seg\u00fan la percepci\u00f3n personal de cada qui\u00e9n.<\/p>\n\n\n\n

Bibliograf\u00eda:<\/strong><\/p>\n\n\n\n

Banksy. (2002) Girl with balloon<\/em> [Grafiti]<\/p>\n\n\n\n

Benjamin, W., (2003) La obra de arte en la \u00e9poca de su reproductibilidad t\u00e9cnica. <\/em>Distrito Federal, M\u00e9xico. Editorial: Itaca.<\/p>\n\n\n\n

Cummin, R., (2005) Eyewitness Companion Guide: Art.<\/em>, Gran Breta\u00f1a., Editorial: Dorling Kindersley.<\/p>\n\n\n\n

Fuks, R. (2018) Las 13 obras de Banksy que debes conocer.<\/em> Recuperado 13 de mayo de 2020, de https:\/\/www.culturagenial.com\/es\/obras-banksy\/<\/p>\n\n\n\n

Heidegger, M., (1958) Arte y poes\u00eda. <\/em>M\u00e9xico. Editorial: Fondo de Cultura Econ\u00f3mica.<\/p>\n\n\n\n

Plutarco Zazueta Cervera<\/strong> (Tijuana, B.C., 2001). Estudiante de la licenciatura en Artes Pl\u00e1sticas en UABC en Tijuana. Particip\u00f3 en la segunda edici\u00f3n del libro de Galer\u00eda Marino al igual que en la d\u00e9cima novena edici\u00f3n del libro de Editorial Flamantes. Actualmente expone virtualmente su serie de acuarela \u201cMiedo\u201d en la p\u00e1gina web de El Muro Verde Tijuana.<\/em><\/p>\n\n\n\n

P\u00e1gina de Facebook: Plutarco.<\/a><\/p>\n\n\n\n

Instagram: @plutarco.art<\/a> <\/p>\n","protected":false},"excerpt":{"rendered":"

En este ensayo analizar\u00e9 esta obra de Banksy. Este artista se caracteriza por intervenir lugares<\/p>\n","protected":false},"author":8,"featured_media":6977,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[48,74,104],"class_list":["post-6976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria","tag-artes-visuales","tag-colaboracion","tag-ensayo"],"yoast_head":"\nAn\u00e1lisis de "The girl with balloon" de Banksy - Revista Escafandra<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"An\u00e1lisis de "The girl with balloon" de Banksy - Revista Escafandra\" \/>\n<meta property=\"og:description\" content=\"En este ensayo analizar\u00e9 esta obra de Banksy. Este artista se caracteriza por intervenir lugares\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Escafandra\" \/>\n<meta property=\"article:published_time\" content=\"2021-05-06T19:32:17+00:00\" \/>\n<meta name=\"author\" content=\"Mar\u00eda Rene\u00e9 Quiroz Castro\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mar\u00eda Rene\u00e9 Quiroz Castro\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/\"},\"author\":{\"name\":\"Mar\u00eda Rene\u00e9 Quiroz Castro\",\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/#\\\/schema\\\/person\\\/07c6ba7119d09119678fe1fb128ba7ee\"},\"headline\":\"An\u00e1lisis de \u00abThe girl with balloon\u00bb de Banksy\",\"datePublished\":\"2021-05-06T19:32:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/\"},\"wordCount\":769,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/#primaryimage\"},\"thumbnailUrl\":\"\",\"keywords\":[\"artes visuales\",\"colaboraci\u00f3n\",\"ensayo\"],\"articleSection\":[\"Sin Categor\u00eda\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/\",\"url\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/\",\"name\":\"An\u00e1lisis de \\\"The girl with balloon\\\" de Banksy - Revista Escafandra\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/#primaryimage\"},\"thumbnailUrl\":\"\",\"datePublished\":\"2021-05-06T19:32:17+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/#\\\/schema\\\/person\\\/07c6ba7119d09119678fe1fb128ba7ee\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/#primaryimage\",\"url\":\"\",\"contentUrl\":\"\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/2021\\\/05\\\/06\\\/analisis-de-the-girl-with-balloon-de-bansy\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/revista-escafandra.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"An\u00e1lisis de \u00abThe girl with balloon\u00bb de Banksy\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/#website\",\"url\":\"https:\\\/\\\/revista-escafandra.com\\\/\",\"name\":\"Revista Escafandra\",\"description\":\"Revista de periodismo cultural de la Facultad de Artes Mexicali de la UABC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/revista-escafandra.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/revista-escafandra.com\\\/#\\\/schema\\\/person\\\/07c6ba7119d09119678fe1fb128ba7ee\",\"name\":\"Mar\u00eda Rene\u00e9 Quiroz Castro\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/c1a8ca121a4c46e501b51f86a60eabab27b6aefed5b7dfec6cb06204965aaf34?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/c1a8ca121a4c46e501b51f86a60eabab27b6aefed5b7dfec6cb06204965aaf34?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/c1a8ca121a4c46e501b51f86a60eabab27b6aefed5b7dfec6cb06204965aaf34?s=96&d=mm&r=g\",\"caption\":\"Mar\u00eda Rene\u00e9 Quiroz Castro\"},\"url\":\"https:\\\/\\\/revista-escafandra.com\\\/index.php\\\/author\\\/mariareneequiroz\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"An\u00e1lisis de \"The girl with balloon\" de Banksy - Revista Escafandra","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/","og_locale":"es_ES","og_type":"article","og_title":"An\u00e1lisis de \"The girl with balloon\" de Banksy - Revista Escafandra","og_description":"En este ensayo analizar\u00e9 esta obra de Banksy. Este artista se caracteriza por intervenir lugares","og_url":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/","og_site_name":"Revista Escafandra","article_published_time":"2021-05-06T19:32:17+00:00","author":"Mar\u00eda Rene\u00e9 Quiroz Castro","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"Mar\u00eda Rene\u00e9 Quiroz Castro","Tiempo de lectura":"4 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/#article","isPartOf":{"@id":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/"},"author":{"name":"Mar\u00eda Rene\u00e9 Quiroz Castro","@id":"https:\/\/revista-escafandra.com\/#\/schema\/person\/07c6ba7119d09119678fe1fb128ba7ee"},"headline":"An\u00e1lisis de \u00abThe girl with balloon\u00bb de Banksy","datePublished":"2021-05-06T19:32:17+00:00","mainEntityOfPage":{"@id":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/"},"wordCount":769,"commentCount":0,"image":{"@id":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/#primaryimage"},"thumbnailUrl":"","keywords":["artes visuales","colaboraci\u00f3n","ensayo"],"articleSection":["Sin Categor\u00eda"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/","url":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/","name":"An\u00e1lisis de \"The girl with balloon\" de Banksy - Revista Escafandra","isPartOf":{"@id":"https:\/\/revista-escafandra.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/#primaryimage"},"image":{"@id":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/#primaryimage"},"thumbnailUrl":"","datePublished":"2021-05-06T19:32:17+00:00","author":{"@id":"https:\/\/revista-escafandra.com\/#\/schema\/person\/07c6ba7119d09119678fe1fb128ba7ee"},"breadcrumb":{"@id":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/#primaryimage","url":"","contentUrl":""},{"@type":"BreadcrumbList","@id":"https:\/\/revista-escafandra.com\/index.php\/2021\/05\/06\/analisis-de-the-girl-with-balloon-de-bansy\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/revista-escafandra.com\/"},{"@type":"ListItem","position":2,"name":"An\u00e1lisis de \u00abThe girl with balloon\u00bb de Banksy"}]},{"@type":"WebSite","@id":"https:\/\/revista-escafandra.com\/#website","url":"https:\/\/revista-escafandra.com\/","name":"Revista Escafandra","description":"Revista de periodismo cultural de la Facultad de Artes Mexicali de la UABC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/revista-escafandra.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Person","@id":"https:\/\/revista-escafandra.com\/#\/schema\/person\/07c6ba7119d09119678fe1fb128ba7ee","name":"Mar\u00eda Rene\u00e9 Quiroz Castro","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/c1a8ca121a4c46e501b51f86a60eabab27b6aefed5b7dfec6cb06204965aaf34?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/c1a8ca121a4c46e501b51f86a60eabab27b6aefed5b7dfec6cb06204965aaf34?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c1a8ca121a4c46e501b51f86a60eabab27b6aefed5b7dfec6cb06204965aaf34?s=96&d=mm&r=g","caption":"Mar\u00eda Rene\u00e9 Quiroz Castro"},"url":"https:\/\/revista-escafandra.com\/index.php\/author\/mariareneequiroz\/"}]}},"featured_image_urls":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","1536x1536":"","2048x2048":"","elegant-magazine-featured":"","elegant-magazine-medium":"","elegant-magazine-medium-small":"","elegant-magazine-thumbnail-small":""},"author_info":{"display_name":"Mar\u00eda Rene\u00e9 Quiroz Castro","author_link":"https:\/\/revista-escafandra.com\/index.php\/author\/mariareneequiroz\/"},"category_info":"<a href=\"https:\/\/revista-escafandra.com\/index.php\/category\/sin-categoria\/\" rel=\"category tag\">Sin Categor\u00eda<\/a>","tag_info":"Sin Categor\u00eda","comment_count":"0","_links":{"self":[{"href":"https:\/\/revista-escafandra.com\/index.php\/wp-json\/wp\/v2\/posts\/6976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revista-escafandra.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revista-escafandra.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revista-escafandra.com\/index.php\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/revista-escafandra.com\/index.php\/wp-json\/wp\/v2\/comments?post=6976"}],"version-history":[{"count":0,"href":"https:\/\/revista-escafandra.com\/index.php\/wp-json\/wp\/v2\/posts\/6976\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revista-escafandra.com\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/revista-escafandra.com\/index.php\/wp-json\/wp\/v2\/media?parent=6976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revista-escafandra.com\/index.php\/wp-json\/wp\/v2\/categories?post=6976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revista-escafandra.com\/index.php\/wp-json\/wp\/v2\/tags?post=6976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}