{"id":392,"date":"2020-10-28T16:48:55","date_gmt":"2020-10-28T23:48:55","guid":{"rendered":"https:\/\/revista-escafandra.com\/?p=392"},"modified":"2020-10-28T16:48:55","modified_gmt":"2020-10-28T23:48:55","slug":"el-teatro-en-tiempos-de-pandemia","status":"publish","type":"post","link":"https:\/\/revista-escafandra.com\/index.php\/2020\/10\/28\/el-teatro-en-tiempos-de-pandemia\/","title":{"rendered":"El teatro en tiempos de pandemia"},"content":{"rendered":"\n

Parafraseando a Barbara Colio: \u201cEl teatro es un organismo vivo y nosotros, los hacedores art\u00edsticos, somos bi\u00f3logos\u201d. As\u00ed es como arranca la mesa de di\u00e1logo de la XVIII Semana de la dramaturgia contempor\u00e1nea<\/em> que se llev\u00f3 a las 10 horas del d\u00eda 26 de octubre de este a\u00f1o v\u00eda zoom y Facebook live.<\/p>\n\n\n\n

Barbara Colio explica que el teatro es un organismo vivo y que los teatreros (que eran en su mayor\u00eda en la conferencia) tienen el deber de observar, estudiar y experimentar el teatro desde sus diferentes perspectivas, aun estando en pandemia. Este comentario caus\u00f3 algo de revuelvo entre muchos ya que, a un inicio, el usar plataformas digitales para presentar obras teatrales era un tema delicado y hasta absurdo.  <\/p>\n\n\n\n

Hace pocos meses se consideraba que el \u00f3rgano principal del teatro era el convivio presencial entre el actor y el espectador, resumi\u00e9ndolo a un acto de presencia corporal. Pero frente a la pandemia Covid-19, todos se han visto obligados a pisar el terreno de la incertidumbre y replantearse el significado de, pr\u00e1cticamente, todo.<\/p>\n\n\n\n

Han sido tiempos dif\u00edciles, de eso no hay duda, y el teatro lo ha resentido pero eso no significa que haya dejado de trabajar y cuestionarse: \u00bfqui\u00e9nes somos? \u00bfqui\u00e9nes queremos ser? Y, sobre todo, \u00bfquienes necesitamos ser?<\/p>\n\n\n\n

El teatro est\u00e1 al servicio del espectador porque quiere ser escuchado, el teatro quiere involucrarse con el otro y colonizar su cabeza con ideas. Y el espectador, est\u00e1 al servicio del teatro porque en el momento que decide sentarse y presenciar una obra, sin importar la plataforma o el lugar, sin adelantar o regresar la trama con un bot\u00f3n, hace que todos estos factores tengan como consecuencia la entrega f\u00edsica, mental y emocional por ambas partes: actor y espectador. En otras palabras, consiste en entregarse y vivir en los zapatos de alguien m\u00e1s por la duraci\u00f3n de la obra. El teatro es el mero acto de la empat\u00eda, y esa es la esencia que los hacedores art\u00edsticos tratan de rescatar a la distancia, y m\u00e1s ahora que es tan necesitada.\u00a0<\/p>\n\n\n\n

En definitiva, la mesa de di\u00e1logo dio mucho para pensar. Pero por ahora, solo resta agradecer al director art\u00edstico responsable de este evento, Boris Schoemann, y a sus invitados especiales de este primer encuentro, que sin duda, fue un \u00e9xito:\u00a0<\/p>\n\n\n\n

  1. Tal\u00eda Yael:<\/strong> actriz, dramaturga y psic\u00f3loga, y es fundadora del Colectivo Eutheria Teatro, con el que estren\u00f3 la obra Vine a Rusia porque me dijeron que ac\u00e1 viv\u00eda un tal Ant\u00f3n Ch\u00e9jov<\/em>.<\/li>
  2. Jaquelin Ram\u00edrez:<\/strong> Dramaturga egresada de la Licenciatura en Actuaci\u00f3n de la Casa del Teatro y Licenciada en Sociolog\u00eda de la Facultad de Ciencias de la UNAM.<\/li>
  3. Servando Anacarsis Ramos: <\/strong>Dramaturgo mexicano. Realiz\u00f3 algunos estudios en la Escuela Nacional de Arte Teatral y a cursado diplomados y talleres con diversos profesores de renombre. Algunas de sus obras conocidas son; La esperanza de un bosque brotando de mi cad\u00e1ver<\/em>, bajo la direcci\u00f3n de Mart\u00edn Acosta (2018) y La herida y la flecha: Requiem para no olvidarte<\/em>, co-escrita con Marianella Villa.<\/li><\/ol>\n\n\n\n

    Para m\u00e1s informaci\u00f3n del evento y para registrarte a futuros encuentros esta semana visita el sitio web<\/a>.<\/p>\n\n\n\n

    \nhttps:\/\/www.facebook.com\/561199000587935\/videos\/845501946280398\/\n<\/div><\/figure>\n\n\n\n

    –Renee Espinoza<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

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